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William carlos williams

William Carlos Williams

POEMS
FOLLOWERS
9

Sooner or later
we must come to the end
of striving

to re-establish
the image the image of
the rose

but not yet
you say extending the
time indefinitely

by your love until a whole
spring

rekindle
the violet to the very
lady’s-slipper

and so by
your love the very sun
itself is revived

When over the flowery, sharp pasture’s
edge, unseen, the salt ocean

lifts its form—chicory and daisies
tied, released, seem hardly flowers alone

but color and the movement—or the shape
perhaps—of relentlessness, whereas

the sea is circled and sways
peacefully upon its plantlike stem

Vast and grey, the sky
is a simulacrum
to all but him whose days
are vast and grey and—
In the tall, dried grasses
a goat stirs
with nozzle searching the ground.
My head is in the air
but who am I...?
—and my heart stops amazed
at the thought of love
vast and grey
yearning silently over me.

While she sits
there
with tears on
her cheek

her cheek on
her hand

this little child
who robs her

knows nothing of
his theft

but rubs his
nose

1

a burst of iris so that
come down for
breakfast

we searched through the
rooms for
that

sweetest odor and at
first could not
find its

source then a blue as
of the sea
struck

startling us from among
those trumpeting
petals

It’s a strange courage
you give me ancient star:

Shine alone in the sunrise
toward which you lend no part!

"Sweet land"
at last!
out of sea—
the Venusremembering wavelets
rippling with laughter—
freedom
for the daffodils!
—in a tearing wind
that shakes
the tufted orchards—
Einstein, tall as a violet
in the lattice-arbor corner
is tall as
a blossomy peartree

O Samos, Samos
dead and buried. Lesbia
a black cat in the freshturned
garden. All dead.
All flesh they sung
is rotten
Sing of it no longer—
Side by side young and old
take the sun together—
maples, green and red
yellowbells
and the vermillion quinceflower
together—

The peartree
with fœtid blossoms
sways its high topbranches
with contrary motions
and there are both pinkflowered
and coralflowered peachtrees
in the bare chickenyard
of the old negro
with white hair who hides
poisoned fish-heads
here and there
where stray cats find them—
find them

Spring days
swift and mutable
winds blowing four ways
hot and cold
shaking the flowers—
Now the northeast wind
moving in fogs leaves the grass
cold and dripping. The night
is dark. But in the night
the southeast wind approaches.
The owner of the orchard
lies in bed
with open windows
and throws off his covers
one by one

Trundled from
the strangeness of the sea ——
a kind of
heaven ——

Ladies and Gentlemen!
the greatest
sea—monster ever exhibited
alive

the gigantic sea—elephant! O wallow
of flesh where
are

there fish enough for
that
appetite stupidity
cannot lessen?

Sick
of Aprils smallness
the little
leaves ——

Flesh has lief of you
enormous sea ——
Speak!
Blouaugh! (feed

me) my
flesh is riven ——
fish after fish into his maw
unswallowing

to let them glide down
gulching back
half spittle half
brine

the
trouble eyes ——torn
from the sea.
(In

a practical voice.) They
ought
to put it back where
it came from.

Gape.
Strange head ——
told by old sailors ——
rising

bearded
to the surface ——and
the only
sense out of them

it that woman’s
Yes
it’s wonderful but they
ought to

put it
back into the sea where
it came from.
Blouaugh!

Swing ——ride
walk
on wires ——toss balls
stoop and

contort yourselves ——
But I
am love. I am
from the sea ——

Blouaugh!
there is no crime save
the too—heavy
body

the sea
held playfully ——comes
to the surface
the water

boiling
about the head the cows
scattering
fish dripping from

the bounty
of . . . . and spring
they say
Spring is icummen in ——

Among
of
green

stiff
old
bright

broken
branch
come

white
sweet
May

again

Rather notice, mon cher,
that the moon is
titled above
the point of the steeple
than that its color
is shell—pink.

Rather observe
that it is early morning
than that the sky
is smooth
as a turquoise.

Rather grasp
how the dark
converging lines
of the steeple
meet at a pinnacle ——
perceive how
its little ornament
tries to stop them—

See how it fails!
See how the converging lines
of the hexagonal spire
escape upward——
receding, dividing!
——petals
that guard and contain
the flower!

Observe
how motionless
the eaten moon
lies in the protective lines.
It is true:
in the light colors
of the morning

brown—stone and slate
shine orange and dark blue

But observe
the oppressive weight
of the squat edifice!
Observe
the jasmine lightness
of the moon.

2

Advent

Even in the time when as yet
I had no certain knowledge of her
She sprang from the nest, a young crow,
Whose first flight circled the forest.
I know now how then she showed me
Her mind, reaching out to the horizon,
She close above the tree tops.
I saw her eyes straining at the new distance
And as the woods fell from her flying
Likewise they fell from me as I followed—
So that I strongly guessed all that I must put from me
To come through ready for the high courses.

But one day, crossing the ferry
With the great towers of Manhattan before me,
Out at the prow with the sea wind blowing,
I had been wearying many questions
Which she had put on to try me:
How shall I be a mirror to this modernity?
When lo! in a rush, dragging
A blunt boat on the yielding river—
Suddenly I saw her! And she waved me
From the white wet in midst of her playing!
She cried me, “Haia! Here I am, son!
See how strong my little finger is!
Can I not swim well?
I can fly too!” And with that a great sea-gull
Went to the left, vanishing with a wild cry—
But in my mind all the persons of godhead
Followed after.

Clarity

“Come!” cried my mind and by her might
That was upon us we flew above the river
Seeking her, grey gulls among the white—
In the air speaking as she had willed it:
“I am given,” cried I, “now I know it!
I know now all my time is forespent!
For me one face is all the world!
For I have seen her at last, this day,
In whom age in age is united—
Indifferent, out of sequence, marvelously!
Saving alone that one sequence
Which is the beauty of all the world, for surely
Either there in the rolling smoke spheres below us
Or here with us in the air intercircling,
Certainly somewhere here about us
I know she is revealing these things!”

And as gulls we flew and with soft cries
We seemed to speak, flying, “It is she
The mighty, recreating the whole world,
This the first day of wonders!
She is attiring herself before me—
Taking shape before me for worship,
A red leaf that falls upon a stone!
It is she of whom I told you, old
Forgiveless, unreconcilable;
That high wanderer of by-ways
Walking imperious in beggary!
At her throat is loose gold, a single chain
From among many, on her bent fingers
Are rings from which the stones are fallen,
Her wrists wear a diminished state, her ankles
Are bare! Toward the river! Is it she there?”
And we swerved clamorously downward—
“I will take my peace in her henceforth!”

Broadway

It was then she struck—from behind,
In mid air, as with the edge of a great wing!
And instantly down the mists of my eyes
There came crowds walking—men as visions
With expressionless, animate faces;
Empty men with shell-thin bodies
Jostling close above the gutter,
Hasting—nowhere! And then for the first time
I really saw her, really scented the sweat
Of her presence and—fell back sickened!
Ominous, old, painted—
With bright lips, and lewd Jew’s eyes
Her might strapped in by a corset
To give her age youth, perfect
In her will to be young she had covered
The godhead to go beside me.
Silent, her voice entered at my eyes
And my astonished thought followed her easily:
“Well, do their eyes shine, do their clothes fit?
These live I tell you! Old men with red cheeks,
Young men in gay suits! See them!
Dogged, quivering, impassive—
Well—are these the ones you envied?”
At which I answered her, “Marvelous old queen,
Grant me power to catch something of this day’s
Air and sun into your service!
That these toilers after peace and after pleasure
May turn to you, worshippers at all hours!”
But she sniffed upon the words warily—
Yet I persisted, watching for an answer:
“To you, horrible old woman,
Who know all fires out of the bodies
Of all men that walk with lust at heart!
To you, O mighty, crafty prowler
After the youth of all cities, drunk
With the sight of thy archness! All the youth
That come to you, you having the knowledge
Rather than to those uninitiate—
To you, marvelous old queen, give me always
A new marriage—”
                 But she laughed loudly—
“A new grip upon those garments that brushed me
In days gone by on beach, lawn, and in forest!
May I be lifted still, up and out of terror,
Up from before the death living around me—
Torn up continually and carried
Whatever way the head of your whim is,
A burr upon those streaming tatters—”
But the night had fallen, she stilled me
And led me away.
Paterson—The Strike
At the first peep of dawn she roused me!
I rose trembling at the change which the night saw!
For there, wretchedly brooding in a corner
From which [her] old eyes glittered fiercely—
“Go!” she said, and I hurried shivering
Out into the deserted streets of Paterson.

That night she came again, hovering
In rags within the filmy ceiling—
“Great Queen, bless me with thy tatters!”
“You are blest, go on!”
                        “Hot for savagery,
Sucking the air! I went into the city,
Out again, baffled onto the mountain!
Back into the city!
                    Nowhere
The subtle! Everywhere the electric!"

“A short bread-line before a hitherto enipty tea shop:
No questions—all stood patiently,
Dominated by one idea: something
That carried them as they are always wanting to be carried,
‘But what is it,’ I asked those nearest me,
‘This thing heretofore unobtainable
That they seem so clever to have put on now!’

”Why since I have failed, them can it be anything but their own brood?
Can it be anything but brutality?
On that at least they’re united! That at least
Is their bean soup, their calm bread and a few luxuries!

“But in me, more sensitive, marvelous old queen
It sank deep into the blood, that I rose upon
The tense air enjoying the dusty fight!
Heavy drink were the low, sloping foreheads
The flat skulls with the unkempt black or blond hair,
The ugly legs of the young girls, pistons
Too powerful for delicacy!
The women’s wrists, the men’s arms, red
Used to heat and cold, to toss quartered beeves
And barrels, and milk-cans, and crates of fruit!

”Faces all knotted up like burls on oaks,
Grasping, fox-snouted, thick-lipped,
Sagging breasts and protruding stomachs,
Rasping voices, filthy habits with the hands.

“Nowhere you! Everywhere the electric!

”Ugly, venemous, gigantic!
Tossing me as a great father his helpless
Infant till it shriek with ecstasy
And its eyes roll and its tongue hangs out!—

“I am at peace again, old queen, I listen clearer now.”

Abroad

Never, even in a dream,
Have I winged so high nor so well
As with her, she leading me by the hand,
That first day on the Jersey mountains!
And never shall I forget
The trembling interest with which I heard
Her voice in a low thunder:
“You are safe here. Look child, look openmouth!
The patch of road between the steep bramble banks;
The tree in the wind, the white house there, the sky!
Speak to men of these, concerning me!
For never while you permit them to ignore me
In these shall the full of my freed voice
Come grappling the ear with intent!
Never while the air’s clear coolness
Is seized to be a coat for pettiness;
Never while richness of greenery
Stands a shield for prurient minds;
Never, permitting these things unchallenged
Shall my voice of leaves and varicolored bark come free through!”
At which, knowing her solitude,
I shouted over the country below me:
“Waken! my people, to the boughs green
With ripening fruit within you!
Waken to the myriad cinquefoil
In the waving grass of your minds!
Waken to the silent phoebe nest
Under the eaves of your spirit!”

But she, stooping nearer the shifting hills
Spoke again. "Look there! See them!
There in the oat field with the horses,
See them there! bowed by their passions
Crushed down, that had been raised as a roof beam!
The weight of the sky is upon them
Under which all roof beams crumble.
There is none but the single roof beam:
There is no love bears against the great firefly!
At this I looked up at the sun
Then shouted again with all the might I had.
But my voice was a seed in the wind.
Then she, the old one, laughing
Seized me and whirling about bore back
To the city, upward, still laughing
Until the great towers stood above the marshland
Wheeling beneath: the little creeks, the mallows
That I picked as a boy, the Hackensack
So quiet that seemed so broad formerly:
The crawling trains, the cedar swamp on the one side—
All so old, so familiar—so new now
To my marvelling eyes as we passed
Invisible.

Soothsay

Eight days went by, eight days
Comforted by no nights, until finally:
“Would you behold yourself old, beloved?”
I was pierced, yet I consented gladly
For I knew it could not be otherwise.
And she—"Behold yourself old!
Sustained in strength, wielding might in gript surges!
Not bodying the sun in weak leaps
But holding way over rockish men
With fern free fingers on their little crags,
Their hollows, the new Atlas, to bear them
For pride and for mockery! Behold
Yourself old! winding with slow might—
A vine among oaks—to the thin tops:
Leaving the leafless leaved,
Bearing purple clusters! Behold
Yourself old! birds are behind you.
You are the wind coming that stills birds,
Shakes the leaves in booming polyphony—
Slow, winning high way amid the knocking
Of boughs, evenly crescendo,
The din and bellow of the male wind!
Leap then from forest into foam!
Lash about from low into high flames
Tipping sound, the female chorus—
Linking all lions, all twitterings
To make them nothing! Behold yourself old!"
As I made to answer she continued,
A little wistfully yet in a voice clear cut:
“Good is my over lip and evil
My underlip to you henceforth:
For I have taken your soul between my two hands
And this shall be as it is spoken.”

St. James’ Grove

And so it came to that last day
When, she leading by the hand, we went out
Early in the morning, I heavy of heart
For I knew the novitiate was ended
The ecstasy was over, the life begun.

In my woolen shirt and the pale blue necktie
My grandmother gave me, there I went
With the old queen right past the houses
Of my friends down the hill to the river
As on any usual day, any errand.
Alone, walking under trees,
I went with her, she with me in her wild hair,
By Santiago Grove and presently
She bent forward and knelt by the river,
The Passaic, that filthy river.
And there dabbling her mad hands,
She called me close beside her.
Raising the water then in the cupped palm
She bathed our brows wailing and laughing:
“River, we are old, you and I,
We are old and by bad luck, beggars.
Lo, the filth in our hair, our bodies stink!
Old friend, here I have brought you
The young soul you long asked of me.
Stand forth, river, and give me
The old friend of my revels!
Give me the well-worn spirit,
For here I have made a room for it,
And I will return to you forthwith
The youth you have long asked of me:
Stand forth, river, and give me
The old friend of my revels!”

And the filthy Passaic consented!

Then she, leaping up with a fierce cry:
“Enter, youth, into this bulk!
Enter, river, into this young man!”
Then the river began to enter my heart,
Eddying back cool and limpid
Into the crystal beginning of its days.
But with the rebound it leaped forward:
Muddy, then black and shrunken
Till I felt the utter depth of its rottenness
The vile breadth of its degradation
And dropped down knowing this was me now.
But she lifted me and the water took a new tide
Again into the older experiences,
And so, backward and forward,
It tortured itself within me
Until time had been washed finally under,
And the river had found its level
And its last motion had ceased
And I knew all—it became me.
And I knew this for double certain
For there, whitely, I saw myself
Being borne off under the water!
I could have shouted out in my agony
At the sight of myself departing
Forever—but I bit back my despair
For she had averted her eyes
By which I knew well what she was thinking—
And so the last of me was taken.

Then she, “Be mostly silent!”
And turning to the river, spoke again:
“For him and for me, river, the wandering,
But by you I leave for happiness
Deep foliage, the thickest beeches—
Though elsewhere they are all dying—
Tallest oaks and yellow birches
That dip their leaves in you, mourning,
As now I dip my hair, immemorial
Of me, immemorial of him
Immemorial of these our promises!
Here shall be a bird’s paradise,
They sing to you remembering my voice:
Here the most secluded spaces
For miles arodnd, hallowed by a stench
To be our joint solitude and temple;
In memory of this clear marriage
And the child I have brought you in the late years.
Live, river, live in luxuriance
Remembering this our son,
In remembrance of me and my sorrow
And of the new wandering!”

The pure products of America
go crazy—
mountain folk from Kentucky

or the ribbed north end of
Jersey
with its isolate lakes and

valleys, its deaf—mutes, thieves
old names
and promiscuity between

devil—may—care men who have taken
to railroading
out of sheer lust of adventure—

and young slatterns, bathed
in filth
from monday to Saturday

to be tricked out that night
with gauds
from imaginations which have no

peasant traditions to give them
character
but flutter and flaunt

sheer rags– succumbing without
emotion
save numbed terror

under some hedge of choke—cherry
or viburnum—
which they cannot express—

Unless it be that marriage
perhaps
with a dash of Indian blood

will throw up a girl so desolate
so hemmed round
with disease and murder

that she’ll be rescued by an
agent—
reared by the state and

sent out a fifteen to work in
some hard—pressed
house in the suburbs—

some doctor’s family, some Elsie
voluptuous water
expressing with broken

brain the truth about us—
her great
ungainly hips and flopping breasts

addressed to cheap
jewelry
and rich young men with fine eyes

as if the earth under our feet
were
an excrement of some sky

and we degraded prisoners
destined
to hunger until we eat filth

while the imagination strains
after deer
going by fields of goldenrod in

the stifling heat of September
Somehow
it seem to destroy us

It is only in isolate flecks that
something
is given off

No one
to witness
and adjust, no one to drive the car